Thursday, April 3, 2014

Into Thin Air, Jon Krakauer


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“If I can get Sandy to the summit, I’ll bet she’ll be on TV talk shows. Do you think she will include me in her fame and fanfare?” (178)
Jon Krakauer, Into Thin Air


     Into Thin Air recounts the disastrous expedition to Everest that Jon Krakauer along with three other climbing teams undertook in 1996. Krakauer was initially asked to join Rob Hall’s team going to Everest as a reporter for Outside Magazine. His journalistic function on the team demonstrates the growing interest of mass audience for extreme adventure narratives. Although Krakauer himself is a journalist, Into Thin Air doesn’t fail to criticize the influence that new media has on mountaineering. This nonfiction narrative is a direct testimony of the impact that social media has on the public’s perception of mountaineering. Krakauer further reminds us of the importance that social media has on its audience as he recounts Fischer’s comment on Sandy Pittman: “if I can get Sandy to the summit, I’ll bet she’ll be on TV talk shows. Do you think she will include me in her frame and fanfare?” [1] Fischer’s desire to be mentioned on social media platforms testifies of the shift that is occurring in the mountaineering world. Expeditions to Everest have become accessible to anyone with the means to afford such an expensive journey.
     

   Katie Ives and Gwen Cameron in an article for the Alpinist believe that the commercialization of mountaineering such as the one described in Into Thin Air is a direct result of our current need to over-share information. They write: we live in a society that has become increasingly noisy and glaringly bright () Viewers are inundated with images in which the most obvious extreme and photogenic elements have been heightened for quick consumption.[2] The cybernetic age has made information easily accessible and mainly has created a shift in our way of processing information. Mountaineering is one example of the effect of social media on its audience. Our perception of space has been transformed as we now can access information with the click of a button,  distance is erased as minute details of remote adventures are broadcast into our homes.[3] The new ways in which the information is shared has thus created a shift in our way of thinking. The commercialization of mountaineering and its growing popularity demonstrates how new media has tricked us into thinking that mountaineering is easily accessible to the armchair adventurer. We are blinded by the glossy pictures and heroic recollections of events and thus have lost our ability to discern the copy from its original. Easily accessible information has impacted our interaction with space.




[1] Krakauer, Jon. Into Thin Air: A Personal Account of the Mount Everest Disaster. New York: Anchor, 1999. Print.
[2] Ives, Katie, and Gwen Cameron. "American Climber Charlie Porter Dies in Punta Arenas." Alpinist Newswire RSS. N.p., 26 Feb. 2014. Web. <http://www.alpinist.com/doc/web14w/newswire-charlie-porter-dies>.
[3] Ibid.

Tristes Tropiques, Claude Levi-Strauss

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  “Nowadays, being an explorer is a trade, which consists not, as one might think, in discovering hitherto unknown facts after years of study, but in covering a great many miles and assembling lantern-slides or motion pictures, preferably in color, so as to fill a hall with an audience for several days in succession. For this audience, platitudes and commonplaces seem to have been miraculously transmuted into revelations by the sole fact that their author, instead of doing his plagiarizing at home, has supposedly sanctified it by covering some twenty thousand miles…”
Claude Levi-Strauss, Tristes Tropiques (1955)

According to Claude Levi-Strauss, our perception of the explorer has shifted. We tend to dismiss the writer who constructs his narratives based on books or articles previously read and are progressively more drawn to the experienced adventurer. The adventurer who narrates and brings back physical testimonies of his expeditions is much more appreciated by a society looking for “ lantern-slides or motion pictures, preferably in color.”[1] The artifacts that the adventurer brings back from his journeys further contribute in recollecting the expedition. The common eye considers the stories and artifacts brought back by those explorers to be more authentic than the “plagiarized” narratives written by the inexperienced writers. Levi-Strauss in highlighting the thrill that arises from nonfiction narratives and visual recollections demonstrates that our society has been undergoing a shift in perception due to the way that the information is presented to its audience. Claude Levi-Strauss through his critic of the common traveler, who uses photographs and other artifacts to impact his audience, demonstrates how new media has reshaped our interaction with our environment.



[1] Levi-Strauss, Claude. Foreword. The Voyage of the Narwhal: A Novel. By Andrea Barrett. New York: W.W. Norton, 1998. N. pag. Print.